More Lessons learned…

July 27th, 2010

Recently after having become involved in the specialty field of the Steve Stevens guitars for example, I have come across some duplicity in comments I have made to people in all innocence just trying to be helpful.

There are many agendas in the guitar/music business and it can be incredibly back stabbing and ingrown.

All I will say about this is lesson learned, there aren’t many that I can trust unfortunately and my wealth of knowledge on some subjects turns of my radar as it were and I have been misquoted by some individuals to others, ect.

Anything I state as my opinion in future, I will use my own blog for that.

I get asked a  lot of questions about Steve Stevens related Washburn guitars and Hamers.

A lot of upsetting things have happened recently thus I would respectfully ask those seeking the authenticity of their Washburn guitars, just read my article at    http://www.vintagewahburn.com

it’s  got all you need to identify the validity of a USA Custom Shop guitar.

I am just wary of certain characters I have been involved with recently and again realize why I bother writing about guitars, rather than sell them.

Dave

I’m Back

July 14th, 2010

Due to some recent replies, there are people who do read my blog, not just spam bots, so one more year, will have some exciting new developments soon as well.

Thanks all

Dave

All Good Things Must End

July 5th, 2010

Hope all have enjoyed my web blog, as I haven’t had much time to write for it I am shutting it down on the 19th of this month.

Thanks for viewing, all I receive is spam bot crap that is becoming ridiculous, so if anyone has really enjoyed my blog and is a real person, please let me know..

Thanks

Dave

Neil Carter- The Unsung Hero of the Gary Moore band’s greatest years

May 21st, 2010

PI have been in communication for almost two years now with the great Neil Carter, ex- Wild Horses, ex-UFO, ex-Gary Moore Band.
I had requested an interview with Neil regarding the greatest period of Gary’s career so far, the years when Neil was in the band and basically Gary’s complete rock era.
My focus of the interview was mine and Neil’s as well, the [i]Wild Frontier[/i] and [i]After The War[/i] albums.
The touring lineup for the 1987 Wild Frontier tour was perhaps arguably Gary’s most successful era.
The release of “After The War” and subsequent ‘final’ rock tour, signaled the end of the Moore-Carter collaboration, which yielded some of Gary’s most memorable songs.
Any true dyed in the wool Gary Moore fan (unless they came on board during his blues period (1990-2009), would consider the recording of the show at Isstadion Stockholm during the Wild Frontier tour, as being one of the greatest rock shows, ever recorded.
Just a total professional effort, produced by the excellent NFL Films, who also did his Emerald Aisles video, this video, only available on VHS to this day, and out of print of course. I have two copies, one played the other never played and converted mine to DVD format as I did with all my Gary Moore videos, mostly bought on VHS Japanese Imports.
Those who know me and my writing, plus my great love for Gary’s music and that of Phil Lynott/Thin Lizzy, realize that that golden era. with Neil’s triple threat talents, rhythm guitar (his main instrument previously), keyboards and fantastic vocals, very similar to Gary’s in range and tone. As good as a vocalist as Gary has become, Neil could always deliver a superb vocal effort.
Particularly on Shapes Of Things, Rocking Every Night and his great backing vocals on Empty Rooms, which he co-wrote with Gary.
As a fellow guitarist, Gary’s tone and equipment setup for this era, I consider his finest hour.
The use of his finest Marshall, the 1972 Super Bass, which someone had painted purple and Gary returned it to it’s native black, slaved off to two other 100 watt 1959 spec heads, allied with the great sounding Roland outboard gear, including the Dimension D. Chorus/Echo and Delay units.
Also an Ibanez Tube Screamer, used with those two magical Charvel Custom Shop guitars, delivered to him in 1986, the Strat head single pickup, EMG 85 and 81 equipped with Original Floyd Rose Tremolo’s, delivered a sound that he was in incredible control of.
This massive wall of sound, just on the edge of breaking loose into feedback, but having such clarity amongst the huge volumes he was working with.
Also Gary’s guitar playing, the techniques he exhibits here, mark him as one of the true maestros pf the top mounted Floyd Rose system.
The incredible line up of Bob Daisley on bass, Eric Singer in drums, the most powerful stadium style drummer and of course Neil’s great keyboard parts, his interchanges with Gary’s guitar and Neils own strong rhythm work on his guitar.
This was a band firing on all cylinders.
I recently completed the e-interview with Neil which is published on his website and the Official Gary Moore Fan Club site, “Lord of the Strings”

http://www.neilcarter.org

http://www.garymoorefc.com/en/

Almost two years ago now, I started writing to Neil, who resides in Brighton, England  on the south coast as does Gary Moore, and told him how much his contributions to Gary’s rock era, especially WF and ATW, though his contribution to WF wasn’t as great in quantity as say ATW, nevertheless, his mark is all over these albums.
One of my favorite Gary Moore/Neil Carter songs is Blood of Emeralds, the autobiographical story of Gary and Phil’s struggles to make it in England and the hardships they endured. Also the tension between these two, caused some great music to be created.
Blood of Emeralds emotionally conveys Gary’s feelings of hopelessness concerning a Phil Lynott who was circling the drain of his life, ultimately dying as a result of his excesses and lifestyle.
The great Military Man, which Phil sings on the original version, contains in the first slow solo for guitar, one of Gary’s most beautiful works ever.
During the 1987-89 era, this song was frequently a jumping off point for extended improvisations by Gary, around the first solo.
The exciting news in all of this is Gary is going back to the Celtic Rock, we all so enjoyed and has three new songs in this vein, including a new tribute song to Phillip.
The bands lineup includes Jonathon Noyce ex-Jethro Tull, who played on the excellent One Night In Dublin tribute to Thin Lizzy with Gary. Darin Mooney will be on drums, Neil on vox, guitars an keys and Gary, lead guitar and vocals.
That I sent Neil copies of my extensive Gary Moore video and CD collection, both official and unofficial and he told me he was going to have Gary over to watch them together, leads me to believe, that if I had any small part as a catalyst in getting them back together, that is #1 on my bucket list.
The plan is a European festival tour and the one in Montruex, has also my favorite Steve Stevens with Billy Idol band and Cinderella, another of my favorite bands, that is a show I would love to see.
Plus the recently announced line up of Thin Lizzy with Robbo rejoining Scott and also Brian Downey and Darren Wharton form the old band, plus a new singer and bassist, but the addition of Dublin’s own Viv Campbell on guitar, always a huge GM and Lizzy fan.
A jam with all of these would be incredible.
It is very brave of Gary to tackle songs like Out In The Fields, Thunder Rising, Empty Rooms, Over The Hills and Far Away,as they have some intricately complicated guitar parts, plus Gary will need a Floyd Rose style guitar for songs like The Loner, ect.
So I am interested in what he will choose.
So GM/NC  fans enjoy, Neil is a super nice chap.
I also have a Tommy Bolin article coming out soon on BSM Trebleboosters website.
I have my own rock web blog http://www.daveonrock.com
My years if research on the Washburn Steve Stevens Signature guitars on the site  http://www.vintagewashburn.com
So enjoy, that Gary will be playing these songs again and Lizzy is back with the strongest lineup in years, makes this a very exciting year.. :) :) :) :)
]

Dave

http://www.garymoorefc.com/en/                           http://www.neilcarter.org              http://www.vintagewashburn.com                   SORRY YOU WILL HAVE TO COPY THE LINKS AND PASTE THEM IN YOUR BROWSER, I am having Tech difficulties pasting links

What’s Really Important In Life.

May 9th, 2010

Recently in the course of my Steve Stevens Washburn research, I have had a medical condition of mine exacerbated, so that I have been sick enough to lose a weeks worth of work, that I have no vacation time left to cover.

I let myself be drawn into a certain situation on that hell that is known as The Les Paul Forum, luckily Les Paul is dead so he doesn’t have to deal with the narrow mindedness  that exists there, the one saving grace being the great master of the Sunburst Tom Witterock.

There are people who will have to answer to God first and then the legal system, it wasn’t my intent to become involved in the whole Peter Green/Gary Moore business, a lesson learned.

that have no relation to any of the actual content. Sometimes it feels as if things I write go off into the stratosphere and just vaporise.

I must say that good things have happened with the whole Steve Stevens debacle, I have succeeded in documenting these amazing guitars and speaking to many more people then were mentioned in my article on the Vintage Washburn site, I have come to peace with something that even Stevens himself has hardly given a thought to in many, many years.

If you put your writings, thoughts out there, you are fair game for any idiot that can operate an keyboard, it’s like road rage, but even safer for them.

So to all my haters or those confused with my posts in recent times, know that what happens in this worldly world is of no real consequence, I seek my reward in a greater capacity.

Dave

Please send me your comments, if you liked my Vintage Washburn SS article, ect….

April 7th, 2010

All I get is spam on my comments, I know we are getting upwards of 500 hits a day on the Vintage Washburn site, just leave me a comment on this web blog if you visit that site or here!!!

I have an exciting new article soon to be published and can’t wait to announce it, I am very proud of my work.

Just want to hear back from you,

Thanx Dave

RACKSYSTEMS Dave Freidman’s Marsha amplifier

February 28th, 2010

Dave Freidman who has built mods and racks, pedal boards, whole touring rigs for years, has his own amp now the Marsha, which incorporates a lot of his most popular mods:

The excellent Scumback M75-65 speakers are featured prominently:

Love the DLR era Stevie Vai licks as well:

Thanks Jim Seavell for the good advice and good luck to Dave and Jim in their new venture with Tone Merchants:

Dave

Washburn Steve Stevens Signature Models 1993 International Registry

February 25th, 2010

If you own or have owned and have photographs of any of the Washburn Steve Stevens Signature model guitars produced in 1993, this includes the Korean produced SS 40 models, the USA Chicago Custom Shop models, the SS 80 and the SS 100 Frankenstein. especially the serial numbers, in the case of the SS 40′s, the serial numbers are locate on the neck plate.

In the case of the USA Custom Shop models, the serial numbers are imprinted on the middle of the back of the headstock.

At www.vintagewashburn.com we are attempting to track how many guitars were produced, this includes any modified guitars, of which there are quite a few, that I have photographic evidence of.

SS 40 neckplate with serial number                                             

SS 80, SS 100 serial number location

Again please visit http://www.vintage washburn.com              this site is officially supported by US Music/Washburn

Love and peace

Dave                      

If you own one of Steve’s old Charvels or Jacksons or particularly the white elephant the legendary Hamer SS 3

please contact either Darren webmaster at Vintage Washburn or myself……….

Hamer SS-3

Hamer SS-3

Hamer SS-3

NOS 1993 Washburn SS80

THANKS FOR YOUR SUPPORT AND PLEASE SEND ME SOME REPLIES, IT IS INTERESTING TO READ SPAM BOTS, BUT I KNOW  YOU WASHBURN/HAMER HEADS ARE OUT THERE SO SEND ME A REPLY………..CHEERS  DAVE

Vintage Washburn.com

February 22nd, 2010

I am very excited to announce my participation in a very unique and professional website, designed to  portray the classic guitars from Washburn, who have been in the industry over 100 years.

To many it is well known my great love of the Washburn Steve Stevens Signature Series, produced only in 1993, in very, very limited quantities.

Darren who approached me about  my contribution, the SS series, has started to assemble an incredible site and US Music/Washburn themselves have given it their official blessing.

I had all but abandoned by hopes of publishing my article detailing the history of these amazing guitars, for various reasons, but now I have been afforded a unique opportunity to document these guitars and show the world how incredible they are.

All models of Washburns will be included so please send any info or contributions you may have to:

http://www.vintagewashburn.com/

Contact: Darren@vintagewashburn.com

These are very exciting times so stay tuned and thanks to Bainzy of Shredaholic for the links and shout out!

Dave

Monsters Ball of 1493 Jackson Dinky

December 29th, 2009
A copy of the original

A copy of the original

Back in the late eighties Steve Stevens had an amazing Jackson dinky bodied guitar, with an incredible graphic based on a pencil drawing, which is interpretations of a famous woodcutting for the famous book described below
The graphic comes from a woodcutting from a famous book in history called The Nuremberg Chronicles
The woodcutting is called “Dance of Death” and the book was published in 1493.
From Wilkepedia:
Nuremberg Chronicle

The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books – an incunabulum (printed, not hand-written) – and one of the first to successfully integrate illustrations and text.

Latin scholars refer to it as Liber Chronicarum (Book of Chronicles) as this phrase appears in the index introduction of the Latin edition. English speakers have long referred to it as the Nuremberg Chronicle after the city in which it was published. German speakers refer to it as Die Schedelsche Weltchronik (Schedel’s World History) in honour of its author.
Page depicting Constantinople with added hand-colouring

The illustrations in many copies were hand-coloured after printing.
I have learned from one of my Steve Stevens contacts that the guitar was stolen from Steve and recovered, he sold it soon after wards. It was bought by a German collector who has over 300 Jackson guitars, including the Steve Lynch ‘Autograph” guitars.
It has the cool skeletons head tuning keys and many wild features. Though the original graphic may have been a pencil drawing at Jackson, the original is from a woodcut as stated.

There was a website called the Jackson Museum, which has been taken down in past years, the headstock detail photo I have is the newest one I have seen, I would appreciate any other photos anyone else may have, thanks

http://i57.photobucket.com/albums/g219/davida54/dance_de-1.jpg

http://i57.photobucket.com/albums/g219/davida54/Buonamico_Buffalmacco_001.jpg

http://i57.photobucket.com/albums/g219/davida54/2704556574_b52b62b9a5_o.jpg

http://i57.photobucket.com/albums/g219/davida54/imageserverres1viewwidth1520viewhei.jpg

Dave